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Book Chapter

A Scientific Method for the Attribution of Paintings with Application to Leonardo’s Mona Lisa Twins

  • John Fredrich Asmus
  • Vadim Parfenov

  • Keywords:
  • Paintings,
  • Attribution,
  • Leonardo,
+ Show More

John Fredrich Asmus

University of California San Diego, United States

Vadim Parfenov

St. Petersburg Electrotechnical University, Russian Federation

  1. B. Mandelbrot, “The fractal geometry of nature”, W. H. Freeman, New York, NY, 1982.
  2. S. Lyu, D. Rickmore, and H. Farid, “A digital technique for art authentication”, Proceedings of the National Academy of Sciences. 101 (49), pp. 17006–17010, 2004.
  3. M. Shahram, D. G. Stork, and D. Donoho, “Recovering layers of brushstrokes through statistical analysis of color and shape: An application to Van Gogh`s Self-portrait with grey fell hat”, in Computer image analysis in the study of art, D. G. Stork and J. Coddington, eds., 6810, pp. 68100D–1–8, SPIE/IS&T, Bellingham, WA, 2008.
  4. S. Jafarpour, G. Polatkan, E. Brevdo, S. Hughes, A. Brasoveanu, and I. Daubechies, “Stylistic Analysis of Paintings Using Wavelets and Machine Learning” // European Signal Processing Conference (EUSIPCO), 2009.
  5. Friedman T., Lurie D. J., Shalom A. “Authentication of Rembrandt`s Self-portraits through the use of facial aging analysis” // The Israel Medicine Association Journal. 2012.Vol. 14, P. 591–594.
  6. Clark K. “Leonardo da Vinci” / Cambridge: Univ. Press. 1952.
  7. Pedretti C. “Leonardo: A Study in Chronology and Style” / Berkeley: Univ. of Cal. Press. 1973.
  8. Asmus J. F. “Computer Image Studies of Rembrandt Self Portraits” //Human Vision III. 1992. Vol.1666, P.436-445.
  9. Asmus J. F. “Spectral and Spatial Statistics of Raphael Paintings” // Applications of Digital Image Processing XVII. 1994 DOI: 10.1117/12.186550
  10. Átila S. “A Jovem Mona Lisa e outras questões curiosas na História da Arte” / Rio de Janeiro. 2013.
  11. Lorusso S., Natali A. “Mona Lisa: a comparative evaluation of the different versions and their copies” // Conservation science and Cultural Heritage. 2015. Vol 15. P. 57-84.
  12. “Leonardo’s Earlier Mona Lisa”. 2nd edition. Zurich. 2015.
  13. G. Vasari. “The Lives of the Most Eminent Painters, Sculptors, and Architects”. London: Macmillan and Co. Ld. & Medici Society 1912 – 1914.
  14. Asmus J.F., Bernstein R., Dave J.V., Myers H.J. “Computer enhancement of the Mona Lisa” // Perspectives in Computing. 1987. Vol. 7, P. 11-22.
  15. Asmus J. F. “Computer Studies of the Isleworth and Louvre Mona Lisas" // Optical Engineering. 1989. Vol. 28, No. 7. Р. 800–804.
  16. “Kunstkritische Studien über italienische Malerei“. Leipzig. 1890-1893. Bd. 1-3.
  17. ”A Corpus of Rembrandt Paintings IV. Self-portraits”. Dordrecht, 2015.
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  • Publication Year: 2018
  • Pages: 48-55
  • Content License: CC BY 4.0
  • © 2018 Author(s)

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  • Publication Year: 2018
  • Content License: CC BY 4.0
  • © 2018 Author(s)

Chapter Information

Chapter Title

A Scientific Method for the Attribution of Paintings with Application to Leonardo’s Mona Lisa Twins

Authors

John Fredrich Asmus, Vadim Parfenov

Language

English

DOI

10.36253/978-88-6453-707-8.10

Peer Reviewed

Publication Year

2018

Copyright Information

© 2018 Author(s)

Content License

CC BY 4.0

Metadata License

CC0 1.0

Bibliographic Information

Book Title

Electronic Imaging & the Visual Arts. EVA 2018 Florence

Book Subtitle

Florence (9-10 May 2018)

Editors

Vito Cappellini

Peer Reviewed

Number of Pages

200

Publication Year

2018

Copyright Information

© 2018 Author(s)

Content License

CC BY 4.0

Metadata License

CC0 1.0

Publisher Name

Firenze University Press

DOI

10.36253/978-88-6453-707-8

ISBN Print

978-88-6453-706-1

eISBN (pdf)

978-88-6453-707-8

eISBN (xml)

978-88-9273-104-2

Series Title

Proceedings e report

Series ISSN

2704-601X

Series E-ISSN

2704-5846

489

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