Soon after greeting the February revolution, Klyuev turns to an aesthetic of violence and disruption. In the poetic cycle Medny Kit (1918), the utopia of “peasant paradise” stems from the apocalyptic destruction of old Russia. While the poet contemplates the cyclicity of Russian history, the lyrical subject comes transfigured out of the “red” baptism, identifying himself simultaneously to Rasputin and Avvakum. As the cycle captures the brutal melody of the times, the lyric genre is pushed to its limit – polyphony, which announces the transition to narrative and epic poetry.
Sorbonne University, France - ORCID: 0000-0002-2392-763X
Chapter Title
Entre mythe et histoire, syncrétisme et fracture, universalité et russité: le recueil Mednyj Kit (Baleine de bronze) au coeur de l’esthétique révolutionnaire de Nikolaj Kljuev
Authors
Daria Sinichkina
Language
French
DOI
10.36253/978-88-6453-507-4.18
Peer Reviewed
Publication Year
2017
Copyright Information
© 2017 Author(s)
Content License
Metadata License
Book Title
Russia, Oriente slavo e Occidente europeo. Fratture e integrazioni nella storia e nella civiltà letteraria
Book Subtitle
Fratture e integrazioni nella storia e nella civiltà letteraria
Editors
Claudia Pieralli, Claire Delaunay, Eugène Priadko
Peer Reviewed
Publication Year
2017
Copyright Information
© 2017 Author(s)
Content License
Metadata License
Publisher Name
Firenze University Press
DOI
10.36253/978-88-6453-507-4
eISBN (pdf)
978-88-6453-507-4
eISBN (xml)
978-88-9273-190-5
Series Title
Biblioteca di Studi Slavistici
Series ISSN
2612-7687
Series E-ISSN
2612-7679