The essay examines the travel photo-text genre from a theoretical point of view, through the example of Absolutely Nothing by Giorgio Vasta and Ramak Fazel. It discusses the key issues and perspectives within the theory and methodology of visual studies and visual culture and describes the opposition between the verbal and visual parts of the volume, understood as a “Struggle for Territory”. This puts on strain the foundations of the travel story tradition, such as the narrative authentication.
University of Florence, Italy - ORCID: 0000-0002-8894-9899
Chapter Title
Fototesti di viaggio: Absolutely nothing di Giorgio Vasta e Ramak Fazel
Authors
Federico Fastelli
Language
Italian
DOI
10.36253/978-88-5518-467-0.31
Peer Reviewed
Publication Year
2021
Copyright Information
© 2021 Author(s)
Content License
Metadata License
Book Title
Nel segno di Magellano tra terra e cielo
Book Subtitle
Il viaggio nelle arti umanistiche e scientifiche di lingua portoghese e di altre culture europee in un’ottica interculturale
Editors
Michela Graziani, Lapo Casetti, Salomé Vuelta García
Peer Reviewed
Number of Pages
492
Publication Year
2021
Copyright Information
© 2021 Author(s)
Content License
Metadata License
Publisher Name
Firenze University Press
DOI
10.36253/978-88-5518-467-0
ISBN Print
978-88-5518-466-3
eISBN (pdf)
978-88-5518-467-0
Series Title
Studi e saggi
Series ISSN
2704-6478
Series E-ISSN
2704-5919