The third part examines modern rewritings of the myth of Diana in the works of Heine and in the broader German Romantic tradition. It explores the transformations of the goddess across literary and performative forms—from the Venusberg myth to Heine’s ballet pantomime Die Göttin Diana—highlighting hybridizations with other mythic figures, political symbolism, and the interplay between pagan and Christian imagery. The chapter examines the overlap and hybridization of Venus and Diana within the mythic complex of the Venusberg, tracing its literary development from the medieval legend to Romanticism and analyzing modern rewritings of the myth in works by Tieck, Eichendorff, Wagner, and Heine.
University of Florence, Italy - ORCID: 0000-0002-4271-2597
Chapter Title
Il mito del Venusberg
Authors
Arianna Amatruda
Language
Italian
DOI
10.36253/979-12-215-0969-4.15
Peer Reviewed
Publication Year
2026
Copyright Information
© 2026 Author(s)
Content License
Metadata License
Book Title
La Dea Diana di Heine
Book Subtitle
Sopravvivenza e rinascenza del mito nella Parigi del XIX secolo
Authors
Arianna Amatruda
Peer Reviewed
Number of Pages
348
Publication Year
2026
Copyright Information
© 2026 Author(s)
Content License
Metadata License
Publisher Name
Firenze University Press
DOI
10.36253/979-12-215-0969-4
ISBN Print
979-12-215-0968-7
eISBN (pdf)
979-12-215-0969-4
eISBN (xml)
979-12-215-0970-0
Series Title
Premio Tesi di Dottorato Città di Firenze
Series ISSN
3103-3881
Series E-ISSN
3103-3989