In Anna Seghers’ short story, Gita delle ragazze morte (1943-1944) and in Claudio Magris’ Esterno giorno – Val Rosandra (1982), a group of high school friends and their trip on the eve of World War I provide the narrative nucleus around which individual micro-histories meet macro-history. In the proposed analysis, the reason for the deprivation is identified as an element common to the two texts. In Seghers’ story, the temporal distance is cancelled out in a continuum, whereas Magris’ story operates through multiplication and fading between different typologies of texts: novel, screenplay, film, Goethe’s Faust, and short story.
University of Florence, Italy - ORCID: 0000-0001-5227-7659
Chapter Title
Il tempo non lineare in Esterno giorno – Val Rosandra di Claudio Magris e in La gita delle ragazze morte di Anna Seghers
Authors
Rita Svandrlik
Language
Italian
DOI
10.36253/978-88-5518-338-3.08
Peer Reviewed
Publication Year
2021
Copyright Information
© 2021 Author(s)
Content License
Metadata License
Book Title
Firenze per Claudio Magris
Editors
Ernestina Pellegrini, Federico Fastelli, Diego Salvadori
Peer Reviewed
Publication Year
2021
Copyright Information
© 2021 Author(s)
Content License
Metadata License
Publisher Name
Firenze University Press
DOI
10.36253/978-88-5518-338-3
eISBN (pdf)
978-88-5518-338-3
eISBN (xml)
978-88-5518-339-0
Series Title
Biblioteca di Studi di Filologia Moderna
Series E-ISSN
2420-8361