The current essay aims to highlighting a few aspects of the fine ‘art of the monologue’ practiced by Claudio Magris in his remarkable theatrical achievements (three dramatic monologues and two choral plays), in particular, on his most compelling play, Lei dunque capirà (2006). On one hand, the play highlights his masterly use of the stylistic/dialogic capacity of the monologue on stage and, on the other, it offers an unprecedented and extraordinary (parodic) re-actualization of the myth of Orpheus.
University of Florence, Italy - ORCID: 0000-0002-8689-9461
Chapter Title
L’io nello sguardo dell’altra. L’arte del monologo di Claudio Magris
Authors
Enza Biagini
Language
Italian
DOI
10.36253/978-88-5518-338-3.20
Peer Reviewed
Publication Year
2021
Copyright Information
© 2021 Author(s)
Content License
Metadata License
Book Title
Firenze per Claudio Magris
Editors
Ernestina Pellegrini, Federico Fastelli, Diego Salvadori
Peer Reviewed
Publication Year
2021
Copyright Information
© 2021 Author(s)
Content License
Metadata License
Publisher Name
Firenze University Press
DOI
10.36253/978-88-5518-338-3
eISBN (pdf)
978-88-5518-338-3
eISBN (xml)
978-88-5518-339-0
Series Title
Biblioteca di Studi di Filologia Moderna
Series E-ISSN
2420-8361