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Neomodernist trends in Russian and Ukrainian poetry of the second half of the 20th century: theoretical problems and the European context

  • Alessandro Achilli

This article considers the presence of modernist elements in poetry from the second half of the 20th century, focusing in particular on Russian and Ukrainian examples. We argue for the necessity of properly recognizing and analyzing modernist phenomena in a period (1960s-1980s) when these have often been eclipsed by a tendency in literary criticism to overstate the role of Postmodernism. We also examine differences in the Western and Soviet cultural contexts and in the roles that Neomodernist poetics played in the poetry of various authors, groups and texts.

  • Keywords:
  • Neomodernism,
  • Russian poetry,
  • Ukrainian poetry,
  • Modernist poetry,
  • Modernism,
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Alessandro Achilli

University of Cagliari, Italy - ORCID: 0000-0001-5856-8414

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  3. Bartolini, M.G. 2012. “Nello stretto triangolo della notte”: Jurij Tarnavs’kyj, il Gruppo di New York e la poesia della Diaspora ucraina negli USA. Roma.
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  6. Eshelman, R. 1997. Early Soviet Postmodernism. Frankfurt am Main.
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  8. Iser, W. (hrsg.). 1966. Immanente Ästhetik: Ästhetische Reflexion: Lyrik als Paradygma der Moderne: Kolloquium Köln 1964: Vorlagen und Verhandlungen. München.
  9. Kalynec’, I. 2004. Zibrannja tvoriv u dvox tomax. Tom 1: Probudžena muza. Kyjiv.
  10. Kermode, F. 1968. Continuities. London.
  11. Kiesel, H. 2004. Geschichte der literarischen Moderne: Sprache – Ästhetik – Dichtung im zwanzigsten Jahrhundert. München.
  12. Lampart, F. 2013. Nachkriegsmoderne: Transformationen der deutschsprachigen Lyrik 1945-1960. Berlin-Boston.
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  14. Mellors, A. 2005. Late Modernist Poetics: From Pound to Prynne. Manchester.
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  16. Pastux, T. 2010. Kyjivs’ka škola ta jiji otočennja (moderni styl’ovi tečiji ukrajins’koji poeziji 1960-90-x rokiv). L’viv.
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  18. Pavlyshyn, M. 1993. “Anatomizing Melancholy: The Poetry of Ihor Kalynets”. Journal of Ukrainian Studies, XVIII.1-2: 185-215.
  19. Sabbatini, M. 2008. Quel che si metteva in rima: cultura e poesia underground a Leningrado. Salerno.
  20. Spanos, W. 1976. “Heidegger, Kierkegaard and the Hermeneutic Circle: Towards a Postmodern Theory of Interpretation as Dis-closure”. boundary 2, IV.2: 455-488.
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  • Publication Year: 2019
  • Pages: 95-103
  • Content License: CC BY 4.0
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  • Publication Year: 2019
  • Content License: CC BY 4.0
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Chapter Information

Chapter Title

Neomodernist trends in Russian and Ukrainian poetry of the second half of the 20th century: theoretical problems and the European context

Authors

Alessandro Achilli

Language

English

DOI

10.36253/978-88-6453-910-2.12

Peer Reviewed

Publication Year

2019

Copyright Information

© 2019 Author(s)

Content License

CC BY 4.0

Metadata License

CC0 1.0

Bibliographic Information

Book Title

Il mondo slavo e l’Europa

Book Subtitle

Contributi presentati al VI Congresso Italiano di Slavistica (Torino, 28-30 settembre 2016)

Editors

Maria Cristina Bragone, Maria Bidovec

Peer Reviewed

Number of Pages

368

Publication Year

2019

Copyright Information

© 2019 Author(s)

Content License

CC BY 4.0

Metadata License

CC0 1.0

Publisher Name

Firenze University Press

DOI

10.36253/978-88-6453-910-2

ISBN Print

978-88-6453-909-6

eISBN (pdf)

978-88-6453-910-2

eISBN (epub)

978-88-6453-911-9

eISBN (xml)

978-88-9273-039-7

Series Title

Biblioteca di Studi Slavistici

Series ISSN

2612-7687

Series E-ISSN

2612-7679

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