1. Amsler M. 1989, Etymology and Grammatical Discourse in Late Antiquity and the Early Middle Ages, Benjamins, Amsterdam.
2. Autenrieth J., Eigler U. (eds.) 1988, Renaissance- und Humanistenhandschriften, R. Oldenbourg, Munich.
3. Baxandall M. 1971, Giotto and the Orators. Humanist observers of paintings in Italy and the discovery of pictorial composition, Clarendon Press, Oxford.
4. Bergdolt K. (ed.) 1988, Der dritte Kommentar Lorenzo Ghibertis. Naturwissenschaften und Medizin in der Kunsttheorie der Frührenaissance, Acta humaniora, Weinheim.
5. Bischoff B. 1990, Latin Palaeography: Antiquity and the Middle Ages, translated by Dàibhí Ò Cróinín and D. Ganz, Cambridge University Press, Cambridge.
6. Bisticci V. da 1995, Große Männer und Frauen der Renaissance. Achtunddreißig biographische Porträts (Auswahl), ed. and trans. by B. Roeck, C.H. Beck, München.
7. Black R., Kraye J., Nuvoloni L. (eds.) 2016, Palaeography, Manuscript Illumination and Humanism in Renaissance Italy: Studies in Memory of A. C. de la Mare, Warburg Institute, London.
8. Bracciolini P. 1832, Epistolae, vol. 1, ed. by T. de Tonellis, L. Marchini, Firenze.
9. Breidecker V. 1992, Florenz. Oder: Die Rede, die zum Auge spricht. Kunst, Fest und Macht im Ambiente der Stadt, Wilhelm Fink Verlag, München.
10. Carruthers M. 2010, The concept of ductus. Or journeying through a work of art  in M. Carruthers (ed.), Rhetoric Beyond Words. Delight and Persuasion in the Arts of the Middle Ages, Cambridge University Press, Cambridge 2010, pp. 190-213.
11. Ceccanti M. 1996, Proposte per la storia dei primi codici umanistici a bianchi girari, «Miniatura», V (6), pp. 11-16.
12. Cicero 1962, Brutus/Orator, trans. by G.L. Hendrickson and H.M. Hubbell, Harvard University Press-Heinemann, Cambridge-London.
13. Cicero 2004, Orator/Der Redner, trans. by H. Merklin, Philipp Reclam, Stuttgart.
14. Crivello F. 2003, “Vetustioris litere maiestas”: un manoscritto di sant’Agostino del Petrarca, gli umanisti e qualche osservazione sulle iniziali a “bianchi girari”, «Italia medioevale e umanistica», 44, pp. 227-34.
15. Damen G. 2012, The Trade in Antiquities between Italy and the Eastern Mediterranean (ca. 1400-1600), PhD thesis, Princeton University.
16. Davies M.C. 1986, Friends and Enemies of Poggio: Studies in Quattrocento Humanist Literature [online thesis], PhD thesis, Trinity College, Oxford University, <http://ora.ox.ac.uk/objects/uuid:d9b0db71-a5ec-426f-8ddf-ba7d05a15ab7> (09/2019).
17. Davies M.C. 1996, Humanism in Script and Print in the Fifteenth Century, in J. Kraye (ed.), The Cambridge Companion to Renaissance Humanism, Cambridge University Press, Cambridge, pp. 47-62.
18. de la Mare A.C. 1973, The handwriting of Italian humanists. Francesco Petrarca, Giovanni Boccaccio, Coluccio Salutati, Niccolò Niccoli, Poggio Bracciolini, Bartolomeo Aragazzi of Montepulciano, Sozomeno of Pistoia, Giorgio Antonio Vespucci, L.S. Olschki, Paris.
19. de la Mare A.C. 1977, Humanistic script: The first ten years, in F. Krafft and D. Wuttke (eds.), Das Verhältnis der Humanisten zum Buch, Boldt, Boppard, pp. 89-110.
20. de la Mare A.C. 1992, Vespasiano da Bisticci as Producer of Classical Manuscripts in the Fifteenth-Century Florence, in C. A. Chavannes-Mazel and M.M. Smith (eds.), Medieval Manuscripts of the Latin Classics: Production and Use, Anderson-Lovelace, Los Altos Hills, pp. 167-207.
21. De Robertis T. 2006, I percorsi dell’imitazione. Esperimenti di “littera antiqua” in codici fiorentini del primo Quattrocento, in C. Tristano, M. Calleri and L. Magionami (eds.), I luoghi dello scrivere da Francesco Petrarca agli albori dell’età moderna. Atti del Convegno internazionale di studio dell’Associazione italiana dei paleografi e diplomatisti, Arezzo, 8-11 ottobre 2003, Fondazione Centro italiano di studi sull’alto Medioevo, Spoleto, pp. 109-34.
22. De Robertis T., Tanturli G., Zamponi S. (eds.) 2008, Coluccio Salutati e l’invenzione dell’umanesimo, Mandragora, Firenze.
23. Derolez A. 1984, Codicologie des manuscrits en écriture humanistique sur parchemin, 2 vols., Brepols, Turnhout.
24. Findlen P. 1998, Possessing the Past: The Material World of the Italian Renaissance, «The American Historical Review», CIII (1), pp. 83-114.
25. Flores E. 1980, Le scoperte di Poggio e il testo di Lucrezio, Liguori, Napoli.
26. Foffano T. 1969, Niccoli, Cosimo e le ricerche di Poggio nelle biblioteche francesi, in «Italia medioevale e umanistica», 12, pp. 113-128.
27. Ganz D. 1990, Corbie in the Carolingian Renaissance, Jan Thorbecke Verlag, Simaringen.
28. Genette G. 1997, Paratexts: Thresholds of Interpretation, trans. by J.E. Lewin, Cambridge University Press, Cambridge.
29. Gombrich E.H. 1976, From the Revival of Letters to the Reform of the Arts: Niccolò Niccoli and Filippo Brunelleschi, in E. H. Gombrich (ed.), The Heritage of Apelles: Studies in the Art of the Renaissance, Cornell University Press, Ithaca, pp. 93-110.
30. Gordan P.W.G. (ed.) 1974, Two Renaissance Book Hunters: The Letters of Poggius Bracciolini to Nicolaus de Nicolis, Columbia University Press, New York.
31. Greenblatt S. 2011, The Swerve: How the World Became Modern, W.W. Norton & Co., New York.
32. Gumbert J.P. 1992, Zur “Typographie” der geschriebenen Seite, in H. Keller, K. Grubmüller and N. Staubach (eds.), Pragmatische Schriftlichkeit im Mittelalter. Erscheinungsformen und Entwicklungsstufen, Akten des Internationalen Kolloquiums 17.-19. Mai 1989, Wilhelm Fink Verlag, Munich, pp. 283-92.
33. Hamburger J. 2011, The iconicity of script, «Word & Image: A journal of Verbal/Visual Enquiry», XXVII (3), 249-61.
34. Hamburger J. 2014, Script as Image, Peeters, Leuven.
35. Illich I. 1993, In the Vineyard of the Text: A Commentary to Hugh’s Didascalicon, University of Chicago Press, Chicago.
36. Lehmann P. 1918, Aufgaben und Anregungen der lateinischen Philologie des Mittelalters, Verlag der Königlich Bayerischen Akademie der Wissenschaften, München.
37. Löhr W.-D. 2011, Lesezeichen. Francesco Petrarca und das Bild des Dichters bis zum Beginn der Frühen Neuzeit, Edition Imorde, Berlin.
38. Martin H.-J., Vezin J. (eds.) 1990, Mise en page et mise en texte du livre manuscript, Editions du Cercle de la Librairie-Promodis, Paris.
39. Meier C. 2003, Über den Zusammenhang von Erkenntnistheorie und enzyklopädischem Ordo in Mittelalter und Früher Neuzeit, «Frühmittelalterliche Studien», 36, pp. 171-92.
40. Meier C., Honemann V., Keller H., Suntrup R. (eds.) 2002, Pragmatische Dimensionen mittelalterlicher Schriftkultur, Wilhelm Fink, Paderborn.
41. Meiss M. 1960, Towards a More Comprehensive Renaissance Palaeography, «The Art Bulletin», XLII (2), pp. 97-112.
42. Mersmann B. 2015, Schriftikonik. Bildphänomene der Schrift in kultur- und medienkomparativer Perspektive, Wilhelm Fink, Paderborn.
43. Merveldt N. von 2008, Vom Geist im Buchstaben. Georg Rörers reformatorische Typographie der Heiligen Schrift, in F. von Ammon and H. Vögel (eds.), Die Pluralisierung des Paratextes in der Frühen Neuzeit. Theorie, Formen, Funktionen, LIT Verlag, Berlin, pp. 187-223.
44. Mulas P.L. 2014, “Bianchi girari” mantouans dans un incunable de Cristoforo (et Baldassarre) Castiglione, in C. Rabel (ed.), Le manuscrit enluminé. Etudes réunies en homage à Patricia Strinemann, Léopard d’Or, Paris, pp. 257-71.
45. Pächt O. 1957, Observations on the Origin of Humanistic Book-Decoration, in D.J. Gordon (ed.), Fritz Saxl 1890-1948: A Volume of Memorial Essays from his Friends in England, T. Nelson, London, pp. 184-94.
46. Petrarca F. 1975, Letters on familiar matters. Rerum familiarum libri I-VIII, vol. 1, trans. by A. Bernardo, State University of New York Press, Albany, New York.
47. Petrarca F. 1985, Letters on familiar matters. Rerum familiarum libri XVII-XXIV, vol. 3, trans. by A. Bernardo, The Johns Hopkins University Press, Baltimore-London.
48. Petrarch F. 1992, Letters of Old Age. Rerum senilium libri I-XVIII, vol. 1, Books I-IX, trans. by A. Bernardo and S. Levin et al., The Johns Hopkins University Press, Baltimore.
49. Petrucci A. 1967, La scrittura del Petrarca, Biblioteca Apostolica Vaticana, Città del Vaticano.
50. Petrucci A. 1995, Writers and Readers in Medieval Italy: Studies in the History of Written Culture, ed. and trans. by C.M. Radding, Yale University Press, New Haven-London.
51. Pfisterer U. 2002, Donatello und die Entdeckung der Stile 1430-1445, Hirmer Verlag, München.
52. Ricci R. 2016, Umanesimo letterario, riforma grafica; Poggio Bracciolini editore, filologo e copista, «NEMLA Italian studies», 38, pp. 2-37.
53. Rockenberger A., Röcken, P. 2009, Typographie als Paratext? Anmerkungen zu einer terminologischen Konfusion, «Poetica», XLI (3-4), pp. 293-330.
54. Rouse R.H., Rouse M.A. 1982, Statim invenire: Schools, Preachers, and New Attitudes to the Page, in R.L. Benson G. Constable and C.D. Lanham (eds.), Renaissance and Renewal in the Twelfth Century, Clarendon Press, Oxford, pp. 201-25.
55. Schmidt P.L. 1974, Die Überlieferung von Ciceros Schrift “De legibus” in Mittelalter und Renaissance, Wilhelm Fink, Paderborn.
56. Schmitt A. 1974, Zur Wiederbelebung der Antike im Trecento. Petrarcas Rom-Idee in ihrer Wirkung auf die Paduaner Malerei. Die methodische Einbeziehung des römischen Münzbildnisses in die Ikonographie “Berühmter Männer”, «Mitteilungen des kunsthistorischen Institutes in Florenz», XVIII (2), pp. 167-218.
57. Smith H., Wilson L. (eds.) 2011, Renaissance paratexts, Cambridge University Press, Cambridge.
58. Stadter P.A. 1984, Niccolò Niccoli: Winning Back the Knowledge of the Ancients, in R. Avesani, M. Ferrari, T. Foffano, G. Frasso and Agostino Sottili (eds.), Vestigia. Studi in onore di Giuseppe Billanovich, vol. 2, Edizioni di Storia e Letteratura, Roma, pp. 747-64.
59. Storey W.H. 1993, Transcription and Visual Poetics in the Early Italian Lyric, Garland, London.
60. Storey W.H. 2018, The Formation of Knowledge and Petrarch’s Books, in I. Candido (ed.), Petrarch and Boccaccio: The Unity of Knowledge in the Pre-Modern World, De Gruyter, Berlin, pp. 15-51.
61. Taylor J. (ed.) 1961, The Didascalicon of Hugh of Saint Victor: A Medieval Guide to the Arts, Chicago University Press, New York.
62. Thornton D. 1997, The Scholar in His Study: Ownership and Experience in Renaissance Italy, Yale University Press, New Haven.
63. Traversari A. 1968, Latinae epistolae, 2 vols., ed. by L. Mehus, reprint ed. P. Canneti, Forni, Bologna.
64. Ullman B.L. 1963, The Humanism of Coluccio Salutati, Antenore, Padova.
65. Ullman B.L. 1974, The Origin and Development of Humanistic Script, L.S. Olschki, Roma.
66. Weiss R. 1973, The Renaissance Discovery of Classical Antiquity, Basil Blackwell, Oxford.
67. Witt R. 2000, In the Footsteps of the Ancients: The Origins of Humanism from Lovato to Bruni, Brill, Leiden.

Chapter Information

Bibliographic Information