Contained in:
Book Chapter

«La forza del naturale tradotta dallo spagnolo»: su un’ignota riscrittura italiana de La fuerza del natural di Agustín Moreto e Jerónimo de Cáncer a Vienna

  • Nicola Usula

Among the manuscripts in Italian kept in the National Library of Vienna, a comedy in prose of Spanish derivation has recently come to light, hitherto neglected by theatrological and Hispanistic studies. The title page of the booklet declares at the beginning the nature of the content with a laconic "La forza del naturale translated from Spanish », which identifies the text as a translation and revision of La fuerza del natural by Agustín Moreto and Jerónimo de Cáncer (perhaps with the collaboration of Juan de Matos Fragoso), probably composed between 1644 and 1654 and printed for the first time in 1661. Where and when was written the text passed down by the Viennese witness? Was it imported from Italy or written beyond the Alps? Finally, is it possible to trace the exact hypotext starting from the twenty sources known today of the Spanish comedy? This study answers these questions and sheds light on the adaptation techniques that emerged from the comparison between the Italian text and its Spanish hypotext, also by taking into account the elements relating to music distributed throughout the comedy: dances, singing and musical instruments on stage.

  • Keywords:
  • Agustín Moreto,
  • Jerónimo de Cáncer,
  • La fuerza del natural,
  • theatrical rewriting,
  • Vienna,
+ Show More

Nicola Usula

Complutense University of Madrid, Spain - ORCID: 0000-0001-5531-7126

  1. Brown A. (2001a), “Galliard [gagliarda, gagiarda, gaiarda, gaillarde, gallarda]”, in Sadie S. (ed.), The New Grove Dictionary of Music and Musicians, 9, 2nd edition, Macmillan, London and New York: 449-451.
  2. Brown A. (2001b), “Pavan [pavane, paven, pavin]”, in Sadie S. (ed.) The New Grove Dictionary of Music and Musicians, 14, 2nd edition, Macmillan, London and New York: 311-314.
  3. Dizionario degli Accademici della Crusca (1697), “Quarto”, Valvasense, Venezia.
  4. Eineder G. (1960), The ancient paper-mills of the former Austro-hungarian empire and their watermarks, The Paper Publications Society, Hilversum.
  5. La forza del naturale, MS anonimo, Österreichische Nationalbibliothek, Sammlung von Handschriften und alten Drucken, Cod. 9955.
  6. Fusillo M. (1998), L’altro e lo stesso. Teoria e storia del doppio, La Nuova Italia, Scandicci.
  7. Moreto A. (2016), La fuerza del natural, García Reidy A. (ed.), in Moreto A., Segunda parte de comedias, V, Reichenberger, Kassel.
  8. Morley S. G. (1918), Studies in Spanish Dramatic Versification of the Siglo de Oro. Alarcón and Moreto, «University of California Publications in Modern Philology», 7, 486: 131-173.
  9. Noe A. (2001), Die Rezeption spanischer Dramen am Wiener Kaiserhof des 17. Jahrhunderts Versuch einer Bilanz, «Daphnis», 30: 159-218.
  10. Orlando F. (1994), Il dato di fatto falso: Tecnica teatrale e visione del mondo, in Carandini S. (a cura di), Il valore del falso. Errori, inganni, equivoci sulle scene europee in epoca barocca, Bulzoni, Roma:  27-37.
  11. Profeti M. G. (1994), «Esconderse el galán», «taparse la dama». Strategie dell’occultamento, strategie della scrittura nella commedia «de capa y espada», in Carandini S. (a cura di), Il valore del falso. Errori, inganni, equivoci sulle scene europee in ep
  12. Profeti M. G. (1996), Intertesto e contesto: Le gare dell’amore e dell’amicizia vs Duelo de honor y amistad, in Profeti M. G., Commedia aurea spagnola e pubblico italiano, vol. I, Materiali, variazioni, invenzioni, Alinea, Firenze: 121-138.
  13. Profeti M. G. (2000), Primero es la honra di Agustín Moreto con le musiche di Antonio Draghi, in Sala E., Daolmi D. (a cura di), «Quel novo Cario, quel divin Orfeo». Antonio Draghi da Rimini a Vienna. Atti del convegno internazionale (Rimini, Palazzo Buon
  14. Profeti M. G. (2009), Primero es la honra di Agustín Moreto a Vienna, in Profeti M. G., Commedia aurea spagnola e pubblico italiano, vol. VII, Commedie, riscritture, libretti: La Spagna e l’Europa, Alinea, Firenze: 203-228.
  15. Seifert H. (1985), Die Oper am Wiener Kaiserhof im 17. Jahrhundert, Schneider, Tutzing.
  16. Seifert H. (2014), Texte zur Musikdramatik im 17. und 18. Jahrhundert: Aufsätze und Vorträge, Hollitzer, Wien.
  17. Silbiger A. (2001), “Chaconne [chacony, ciaccona, ciacona, chacona]”, in Sadie S. (ed.), The New Grove Dictionary of Music and Musicians, 5, 2nd edition, Macmillan, London and New York: 410-415.
  18. Simmons J. S. G., van Ginneken-van de Kasteele B. (1994), Likhachev’s watermarks, an english-language version, The Paper Publications Society, Amsterdam.
  19. Sommer-Mathis A. (2000), Una fiesta teatral en la corte de Viena (1633): La representación de El vellocino de oro. El contexto histórico-cultural, in Profeti M. G. (a cura di), «Otro Lope no ha de haber» (Atti del convegno internazionale su Lope de Vega,
  20. Sommer-Mathis A. (2003), Momo e Truffaldino: i personaggi comici nelle due versioni del Pomo d’oro alla corte di Vienna (1668) e Madrid (1703), in Lattanzi A. et al. (a cura di), Commedia dell’arte e spettacolo in musica tra Sei- e Settecento, Turchini, N
  21. Strohm R. (1976), rec. Pagano R., e Bianchi L., Alessandro Scarlatti, Rostirolla G. (a cura di) Catalogo generale delle opere, ERI - Edizioni RAI Radiotelevisione Italiana, Torino 1972, «Rivista Italiana di Musicologia», 11/2: 314-328.
PDF
  • Publication Year: 2020
  • Pages: 381-398
  • Content License: CC BY 4.0
  • © 2020 Author(s)

XML
  • Publication Year: 2020
  • Content License: CC BY 4.0
  • © 2020 Author(s)

Chapter Information

Chapter Title

«La forza del naturale tradotta dallo spagnolo»: su un’ignota riscrittura italiana de La fuerza del natural di Agustín Moreto e Jerónimo de Cáncer a Vienna

Authors

Nicola Usula

Language

Italian

DOI

10.36253/978-88-5518-150-1.23

Peer Reviewed

Publication Year

2020

Copyright Information

© 2020 Author(s)

Content License

CC BY 4.0

Metadata License

CC0 1.0

Bibliographic Information

Book Title

Ricerche sul teatro classico spagnolo in Italia e oltralpe (secoli XVI-XVIII)

Editors

Fausta Antonucci, Salomé Vuelta García

Peer Reviewed

Number of Pages

510

Publication Year

2020

Copyright Information

© 2020 Author(s)

Content License

CC BY 4.0

Metadata License

CC0 1.0

Publisher Name

Firenze University Press

DOI

10.36253/978-88-5518-150-1

ISBN Print

978-88-5518-149-5

eISBN (pdf)

978-88-5518-150-1

eISBN (epub)

978-88-5518-151-8

Series Title

Studi e saggi

Series ISSN

2704-6478

Series E-ISSN

2704-5919

176

Fulltext
downloads

297

Views

Export Citation

1,297

Open Access Books

in the Catalogue

1,746

Book Chapters

3,070,547

Fulltext
downloads

3,973

Authors

from 817 Research Institutions

of 63 Nations

61

scientific boards

from 334 Research Institutions

of 42 Nations

1,139

Referees

from 343 Research Institutions

of 36 Nations