In order to highlight the intertextual game that Giacinto Andrea Cicognini creates in it L’amorose furie d’Orlando with Angélica en el Catay by Lope de Vega, a hypothesis vented but not demonstrated by Gobbi in an ancient critical essay, it is necessary to read and reread the two comedies without losing sight of the octaves of Ariosto with a meticulousness that, until now, no one had believed necessary to put in place, perhaps because in both cases we are not faced with absolute masterpieces. In any case, if it is true that certain images and phrases can fall into the category of literary interdiscursiveness, which goes beyond the two plays analyzed, the fact remains that the numerous similarities identified cannot be the result of chance.
University of Piemonte Orientale, Italy - ORCID: 0000-0002-9537-8182
Chapter Title
L’amorose furie d’Orlando de Giacinto Andrea Cicognini y el teatro de abolengo ariostesco de Lope de Vega: una cuestión crítica pendiente
Authors
Marcella Trambaioli
Language
Italian
DOI
10.36253/978-88-5518-150-1.11
Peer Reviewed
Publication Year
2020
Copyright Information
© 2020 Author(s)
Content License
Metadata License
Book Title
Ricerche sul teatro classico spagnolo in Italia e oltralpe (secoli XVI-XVIII)
Editors
Fausta Antonucci, Salomé Vuelta García
Peer Reviewed
Number of Pages
510
Publication Year
2020
Copyright Information
© 2020 Author(s)
Content License
Metadata License
Publisher Name
Firenze University Press
DOI
10.36253/978-88-5518-150-1
ISBN Print
978-88-5518-149-5
eISBN (pdf)
978-88-5518-150-1
eISBN (epub)
978-88-5518-151-8
Series Title
Studi e saggi
Series ISSN
2704-6478
Series E-ISSN
2704-5919