In this essay, making use of concepts from the scholarship on rural modernism and Mark Fisher’s aesthetic reflection on the “weird” and the “eerie”, I analyze some texts in Japanese literature from the first three decades of the twentieth century. In the works of Yamamura Bochō, Hagiwara Sakutarō, and Miyoshi Tatsuji we find traces of a representation of the countryside as a site with its own specific form of modernity; the treatment of rural settings in non-realist modes; humus as the source of a weird externality; and the rural landscape as a powerfully eerie place.
Ca' Foscari University of Venice, Italy - ORCID: 0000-0001-8708-9156
Chapter Title
Le campagne allucinate: sul modernismo rurale nella letteratura giapponese di inizio Novecento
Authors
Pierantonio Zanotti
Language
Italian
DOI
10.36253/979-12-215-0422-4.20
Peer Reviewed
Publication Year
2024
Copyright Information
© 2024 Author(s)
Content License
Metadata License
Book Title
Il dono dell’airone
Book Subtitle
Scritti in onore di Ikuko Sagiyama
Editors
Luca Capponcelli, Diego Cucinelli, Chiara Ghidini, Matilde Mastrangelo, Rolando Minuti
Peer Reviewed
Number of Pages
390
Publication Year
2024
Copyright Information
© 2024 Author(s)
Content License
Metadata License
Publisher Name
Firenze University Press
DOI
10.36253/979-12-215-0422-4
ISBN Print
979-12-215-0421-7
eISBN (pdf)
979-12-215-0422-4
Series Title
Connessioni. Studies in Transcultural History
Series ISSN
2975-0393
Series E-ISSN
2975-0261