Lo spettacolo senza riforma
La compagnia del San Samuele di Venezia (1726-1749)
- Lorenzo Galletti,
The San Samuele theatre company from Venice constitutes a perfect example of the extraordinary vitality of the early-eighteenth-century troupes, before the success of Carlo Goldoni’s dramaturgy. Reconstructing the chronology of the training activity led by the theatre company manager Giuseppe Imer makes it possible to observe the extraordinary versatility of the actors from the Commedia dell’Arte, and the breadth of a repertoire which, between 1726 and 1749, spaced from dramas to musical interludes, passing through the “canovacci” of the commedia all’improvviso and tragedies. Thanks to unpublished documents and to a critical analysis of the repertoires, the author appoints the actors as the main protagonists of the spectacular Venetian scene, and offers important updates on the migrations of troupes in the second quarter of the 18th century.
- DOI: 10.36253/978-88-6453-361-2
- Series: Premio Ricerca «Città di Firenze»
- Scientific Board
- Language: Italian
- Subjects: Performing Arts
- Publication Year: 2016
- Pages: 296
- eISBN: 978-88-6453-361-2
- Content License: CC BY 4.0
- © 2016 Author(s)
- Publication Year: 2016
- Pages: 296
- ISBN: 978-88-6453-360-5
- Content License: CC BY 4.0
- © 2016 Author(s)
Bibliographic Information
Book Title
Lo spettacolo senza riforma
Book Subtitle
La compagnia del San Samuele di Venezia (1726-1749)
Authors
Lorenzo Galletti
Peer Reviewed
Number of Pages
296
Publication Year
2016
Copyright Information
© 2016 Author(s)
Content License
Metadata License
Publisher Name
Firenze University Press
DOI
10.36253/978-88-6453-361-2
ISBN Print
978-88-6453-360-5
eISBN (pdf)
978-88-6453-361-2
eISBN (xml)
978-88-9273-264-3
Series Title
Premio Ricerca «Città di Firenze»
Series ISSN
2705-0289
Series E-ISSN
2705-0297
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